The Calling of Saint Matthew (1599–1600)
Contarelli Chapel, San Luigi dei Francesi, Rome
A beam of light follows Christ's pointing hand to the tax collector Matthew at a counting table
Image: Gleb Simonov · CC0, Wikimedia Commons
Art
1571–1610 · Italian
Baroque
Michelangelo Merisi da Caravaggio revolutionised painting in Rome around 1600 with dramatic, realistic religious scenes lit by harsh light against deep shadow. His violent life — he killed a man in 1606 and spent his last years as a fugitive — is as famous as his art. His followers across Europe were known as the Caravaggisti.
The Calling of Saint Matthew (1599–1600)
Contarelli Chapel, San Luigi dei Francesi, Rome
A beam of light follows Christ's pointing hand to the tax collector Matthew at a counting table
Image: Gleb Simonov · CC0, Wikimedia Commons
Supper at Emmaus (1601)
National Gallery, London
A beardless risen Christ is recognised; a basket of fruit teeters over the table's edge
Image: Caravaggio · Public domain, Wikimedia Commons
Judith Beheading Holofernes (c. 1598–1599)
Galleria Nazionale d'Arte Antica (Palazzo Barberini), Rome
Judith coolly saws through the general's neck as blood spurts
Image: Caravaggio · Public domain, Wikimedia Commons
Bacchus (c. 1596)
Uffizi, Florence
A languid youth offers a glass of wine; painted for Cardinal Francesco Maria del Monte
Image: Caravaggio · Public domain, Wikimedia Commons
Medusa (c. 1597)
Uffizi, Florence
The screaming severed head painted on a convex ceremonial shield
Image: Caravaggio · Public domain, Wikimedia Commons
Death of the Virgin (c. 1604–1606)
Louvre, Paris
Rejected by the Carmelite church of Santa Maria della Scala for its bloated, barefoot Virgin
Image: Caravaggio · Public domain, Wikimedia Commons