A 1963 live album from a Harlem theatre that he financed himself after his label refused to pay for it (1963)
Live at the Apollo, recorded October 1962; it reached number two on the US album chart.
Popular music · Soul, funk & R&B
1933–2006 · American
Soul and funk; the Godfather of Soul
James Brown turned soul into funk by pushing the emphasis onto the first beat of the bar and treating every instrument, including his voice, as percussion. Billed as the Hardest-Working Man in Show Business, he built a reputation on ferociously drilled live performance, and his rhythm tracks became the most sampled records in the history of hip-hop.
A 1963 live album from a Harlem theatre that he financed himself after his label refused to pay for it (1963)
Live at the Apollo, recorded October 1962; it reached number two on the US album chart.
A 1965 single built on a hard downbeat and a choked guitar, usually named the first funk record (1965)
'Papa's Got a Brand New Bag' — it won him his first Grammy.
A 1965 follow-up in which the singer announces he is in fine spirits because he has her (1965)
'I Got You (I Feel Good)' — his highest-charting pop single, at number three.
A 1966 ballad conceding that every invention and empire would count for nothing without a woman (1966)
'It's a Man's Man's Man's World', co-credited to Betty Jean Newsome.
A 1968 call-and-response chant of racial pride, answered on the record by a crowd of Los Angeles children (1968)
'Say It Loud – I'm Black and I'm Proud', released two months after Martin Luther King's assassination.
A 1970 record whose drum break by Clyde Stubblefield became the most sampled passage in hip-hop (1970)
'Funky Drummer' — sampled by Public Enemy, N.W.A, Run-DMC, LL Cool J and hundreds more.
A 1985 patriotic theme from the fourth film in a boxing series, which won him his only competitive Grammy of the decade (1985)
'Living in America', from Rocky IV, produced by Dan Hartman.