'Exit, pursued by a bear'
The stage direction that disposes of Antigonus after he abandons the baby
Shakespeare · Late romances
c. 1610–11
Late romance — from Robert Greene's prose romance Pandosto (1588)
A king of Sicilia is seized by a jealousy that arrives from nowhere, accuses his pregnant queen of adultery with his oldest friend, defies the oracle at Delphos and destroys his own family within three acts. Then a chorus called Time skips sixteen years, the play moves to a Bohemian sheep-shearing feast, and the abandoned daughter is found. It ends with a statue that comes to life, and it contains the most famous stage direction in English drama.
'Exit, pursued by a bear'
The stage direction that disposes of Antigonus after he abandons the baby
A queen is tried for adultery and an oracle from Delphos is denounced as false
Hermione's trial; the god's answer is read out and the king rejects it, and his son dies at once
'Thou met'st with things dying, I with things new-born'
The Shepherd to his son, after finding the abandoned baby beside a fresh corpse
A pedlar sings ballads and picks pockets at a sheep-shearing feast
Autolycus, 'a snapper-up of unconsidered trifles', with 'When daffodils begin to peer'
A chorus called Time steps forward to leap over sixteen years
The hinge between the tragedy of the first half and the pastoral of the second
A statue by Giulio Romano is unveiled and proves to be warm
Paulina's chapel scene: 'It is required you do awake your faith'
A princess raised as a shepherdess distributes flowers at a feast
Perdita on rosemary, rue and the debate over grafted 'streak'd gillyvors'