'Fear no more the heat o' th' sun, / Nor the furious winter's rages'
The funeral song spoken over the supposedly dead Fidele by Guiderius and Arviragus
Shakespeare · Late romances
c. 1610–11
Late romance — Holinshed's ancient Britain crossed with a wager plot from Boccaccio's Decameron
A British king's daughter secretly marries a poor gentleman and her father banishes him to Rome, where he is goaded into betting on her chastity. A smooth Italian hides in a trunk in her bedchamber, steals a bracelet and describes a mole on her breast, and the husband orders her murder. Disguise, a sleeping potion, a headless corpse, two long-lost princes in a Welsh cave, a Roman invasion and a god descending on an eagle are all resolved in a final scene of some two dozen revelations.
'Fear no more the heat o' th' sun, / Nor the furious winter's rages'
The funeral song spoken over the supposedly dead Fidele by Guiderius and Arviragus
'Hark, hark! the lark at heaven's gate sings'
The aubade sung beneath the princess's window by Cloten's hired musicians
A man hides in a trunk carried into a bedchamber and notes a mole under the sleeper's breast
Iachimo's false proof, taken with the bracelet slipped from her arm
A king's stepson is beheaded and his body mistaken for a husband's
Cloten, killed by Guiderius while wearing Posthumus's clothes
Two boys and an old man hold a narrow lane against a Roman army
Belarius and the princes turn the battle, a story Shakespeare took from Holinshed's Scots
A god descends on an eagle and leaves a riddling tablet on the sleeper's breast
Jupiter appears to Posthumus in prison, in a scene some editors have doubted is Shakespeare's
A queen's poison turns out to be a sleeping draught given her by her doctor
Cornelius substitutes the potion, so Imogen only appears to die