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Portrait of Otello

Opera · Italian opera

Otello

5 February 1887, Teatro alla Scala, Milan

Giuseppe Verdi · libretto by Arrigo Boito, after Shakespeare

Verdi's penultimate opera, written after sixteen years without one, compresses Shakespeare's tragedy into four taut acts: no overture, just a storm, a landing and a shout of triumph, then a slow poisoning of a mind by the ensign passed over for promotion.

How to spot them

  • ▸Cyprus, late 16th century: a Venetian governor, his new wife, a handkerchief, and an ensign with a grudge
  • ▸A heroic tenor of enormous stamina, a smooth baritone villain, a lyric soprano wife
  • ▸The famous moment: the curtain rises with no overture on a storm, and the hero lands crying four notes of triumph
  • ▸Quiz clues: Boito, La Scala 1887, a drinking song that becomes a brawl, a willow, and a villain who believes in a cruel God

Arias & moments — listen

"Credo in un Dio crudel" (1887)

The villain's creed — a cruel God made him in his own image — invented by Boito with no source in Shakespeare

Recording: Unknown · CC BY-SA 4.0, Wikimedia Commons

"Era la notte" — the Dream (1887)

Iago invents a sleeping Cassio murmuring Desdemona's name, and a suspicion becomes a certainty

Recording: Unknown · CC BY-SA 4.0, Wikimedia Commons

The Willow Song, "Piangea cantando nell'erma landa" (1887)

Desdemona's Act IV ballad about a girl called Barbara, broken by a shivering farewell to Emilia

Recording: Giuseppe Verdi (1813-1901), Nellie Melba (1861-1931). · Public domain, Wikimedia Commons

"Sì, pel ciel marmoreo giuro!" (1887)

The oath duet that ends Act II, tenor and baritone swearing vengeance in unison

Recording: Otello: Enrico Caruso (1873–1921) Iago: Titta Ruffo (1877–1953) Composer: Giuseppe Verdi (1813–1901) · Public domain, Wikimedia Commons

"Niun mi tema" — the death scene (1887)

Recorded here by Francesco Tamagno, the tenor who created the role in 1887

Recording: Giuseppe Verdi (1813–1901) Francesco Tamagno (1850–1905) · Public domain, Wikimedia Commons

Quick-fire facts

  • •The premiere was at La Scala, Milan, on 5 February 1887, conducted by Franco Faccio.
  • •Arrigo Boito, himself a composer (Mefistofele), wrote the libretto and later that of Falstaff.
  • •Verdi had written no new opera since Aida in 1871; Boito and the publisher Giulio Ricordi coaxed him out of retirement.
  • •There is no overture or prelude: the curtain goes up on a storm and Otello's entrance cry "Esultate!".
  • •The creators were Francesco Tamagno as Otello, Victor Maurel as Iago and Romilda Pantaleoni as Desdemona.
  • •Iago's "Credo" has no equivalent in Shakespeare — it is Boito's own addition.
  • •Boito drops Shakespeare's Venice act entirely; the opera begins in Cyprus.
  • •Otello dies with "Un bacio... un bacio ancora", to the kiss theme first heard in the Act I love duet.
  • •Rossini had set the same play in 1816, with a famously happy-ending alternative for Rome.

Drill it — 9 cards

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Sources

  • Grove Music Online (Oxford University Press) — Otello
  • Julian Budden — The Operas of Verdi
  • Mary Jane Phillips-Matz — Verdi: A Biography