"Credo in un Dio crudel" (1887)
The villain's creed — a cruel God made him in his own image — invented by Boito with no source in Shakespeare
Recording: Unknown · CC BY-SA 4.0, Wikimedia Commons
Opera · Italian opera
5 February 1887, Teatro alla Scala, Milan
Giuseppe Verdi · libretto by Arrigo Boito, after Shakespeare
Verdi's penultimate opera, written after sixteen years without one, compresses Shakespeare's tragedy into four taut acts: no overture, just a storm, a landing and a shout of triumph, then a slow poisoning of a mind by the ensign passed over for promotion.
"Credo in un Dio crudel" (1887)
The villain's creed — a cruel God made him in his own image — invented by Boito with no source in Shakespeare
Recording: Unknown · CC BY-SA 4.0, Wikimedia Commons
"Era la notte" — the Dream (1887)
Iago invents a sleeping Cassio murmuring Desdemona's name, and a suspicion becomes a certainty
Recording: Unknown · CC BY-SA 4.0, Wikimedia Commons
The Willow Song, "Piangea cantando nell'erma landa" (1887)
Desdemona's Act IV ballad about a girl called Barbara, broken by a shivering farewell to Emilia
Recording: Giuseppe Verdi (1813-1901), Nellie Melba (1861-1931). · Public domain, Wikimedia Commons
"Ave Maria, piena di grazia" (1887)
The soprano's murmured prayer on a monotone before she is smothered
Recording: Unknown · CC BY-SA 4.0, Wikimedia Commons
"Sì, pel ciel marmoreo giuro!" (1887)
The oath duet that ends Act II, tenor and baritone swearing vengeance in unison
Recording: Otello: Enrico Caruso (1873–1921) Iago: Titta Ruffo (1877–1953) Composer: Giuseppe Verdi (1813–1901) · Public domain, Wikimedia Commons
"Niun mi tema" — the death scene (1887)
Recorded here by Francesco Tamagno, the tenor who created the role in 1887
Recording: Giuseppe Verdi (1813–1901) Francesco Tamagno (1850–1905) · Public domain, Wikimedia Commons