🪴 GoDeep
Search
← University Challenge
Portrait of Satyajit Ray

Film · Around the world

Satyajit Ray

1921–1992 · Indian (Bengali)

Parallel Cinema; Bengali humanist realism

Satyajit Ray was a Calcutta commercial artist who taught himself to direct, sold his wife's jewellery to finish his first film, and produced in the Apu Trilogy the work that put Indian cinema on the international map. Over thirty-six films he wrote his own scripts, drew his own storyboards and posters, and from 1961 composed his own scores. He also wrote children's fiction in Bengali, including the detective Feluda and the scientist Professor Shonku.

How to spot them

  • ▸Bengal: village poverty, the decaying zamindar class, Calcutta clerks, and adaptations of Rabindranath Tagore
  • ▸Ravi Shankar's sitar over the early films; from Teen Kanya onwards Ray wrote the music himself
  • ▸Soumitra Chatterjee in fourteen films; also Sharmila Tagore and Chhabi Biswas
  • ▸The debt to Italian neorealism and to Jean Renoir, whom he assisted in Bengal on The River
  • ▸The writer as well as the director: Feluda the detective, Professor Shonku, and the magazine Sandesh

Key films

A poor Brahmin family in a Bengali village; a boy and his sister run through a field of kans grass to watch a train, and she dies in the monsoon (1955)

Pather Panchali — his debut, part-funded by the West Bengal government, and winner of the Best Human Document prize at Cannes in 1956.

The middle film of a trilogy: the boy moves to Benares, loses his father, and wins a scholarship to Calcutta, leaving his mother to die alone (1956)

Aparajito ('The Unvanquished') — won the Golden Lion at Venice in 1957.

A jobless would-be novelist marries a stranger at a village wedding after the bridegroom is found to be mad, and loses her in childbirth (1959)

Apur Sansar (The World of Apu) — the trilogy's close, with Soumitra Chatterjee and Sharmila Tagore.

A bored, clever wife in a Victorian Calcutta household falls for her husband's cousin; the film opens with her watching the street through opera glasses, and closes on a freeze-frame of outstretched hands (1964)

Charulata ('The Lonely Wife') — from Tagore's Nastanirh, and Ray's own favourite among his films.

A ruined aristocrat bankrupts himself staging one last concert in the chandeliered hall of his crumbling palace (1958)

Jalsaghar (The Music Room) — an elegy for the zamindar class, starring Chhabi Biswas.

Two absent-minded chess-obsessed noblemen in Lucknow ignore the East India Company's annexation of their kingdom in 1856 (1977)

Shatranj Ke Khilari (The Chess Players) — his only feature in Hindi/Urdu, with Richard Attenborough as General Outram.

Two banished musicians are granted three boons by the king of ghosts and sing their way to stopping a war (1969)

Goopy Gyne Bagha Byne — a children's musical fantasy from a story by his grandfather, and a huge Bengali hit.

Four city friends drive out to a forest for a holiday and are gently exposed by the women they meet, including in a memory game on the grass (1970)

Aranyer Din Ratri (Days and Nights in the Forest).

Quick-fire facts

  • •He was awarded an Honorary Academy Award for lifetime achievement in 1992, accepted from his sickbed in Calcutta weeks before his death
  • •India awarded him the Bharat Ratna, its highest civilian honour, in 1992 — the only film director to receive it
  • •Pather Panchali (1955) was made on weekends over nearly three years; he pawned his insurance and his wife's jewellery to keep going
  • •He worked as a commercial artist at the D. J. Keymer agency and illustrated an edition of Pather Panchali before filming it
  • •He assisted Jean Renoir in Bengal on The River (1951), and was galvanised by seeing De Sica's Bicycle Thieves in London
  • •Ravi Shankar scored the Apu Trilogy; from Teen Kanya (1961) Ray composed all his own music
  • •His unmade 1960s science-fiction project The Alien is widely argued to have influenced Spielberg's E.T.; Ray himself said so
  • •He created the Bengali detective Feluda and the scientist Professor Shonku, and revived his grandfather Upendrakishore's children's magazine Sandesh
  • •Aparajito won the Golden Lion at Venice in 1957; Ashani Sanket (Distant Thunder) won the Golden Bear at Berlin in 1973
  • •The Chess Players (1977) was his only feature in Hindi and Urdu rather than Bengali

Drill it — 9 cards

1 / 9new card

Sources