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Portrait of Michael Haneke

Film · European

Michael Haneke

born 1942 · Austrian

Austrian art cinema; the 'glaciation' trilogy

Michael Haneke makes cold, precisely composed films about violence and the complacency of comfortable Europe, refusing the consolations of music, close-ups and explanation. He is one of a small group of directors to have won the Palme d'Or twice, in 2009 and 2012, and the second of those films also took the Oscar for Best Foreign Language Film. He has not made a feature since 2017.

How to spot them

  • ▸Static long takes, no score, off-screen violence, and endings that withhold the answer
  • ▸The 'glaciation of feelings' trilogy: The Seventh Continent, Benny's Video and 71 Fragments
  • ▸Films that accuse the audience of watching — a rewind, a wink to camera, a remote control
  • ▸Isabelle Huppert in four of his films; Jean-Louis Trintignant and Emmanuelle Riva in Amour
  • ▸Two Palmes d'Or, three years apart

Key films

Two polite young men in white polo shirts hold a family hostage at their lakeside house and invite the audience to bet on the outcome; the director filmed it twice, ten years apart, in two languages (1997)

Funny Games — remade shot for shot in English in 2007 with Naomi Watts and Tim Roth

An Austrian family methodically sell the car, destroy the flat and flush their money down the lavatory (1989)

The Seventh Continent (Der siebente Kontinent) — his first cinema feature

Seventy-one unconnected fragments of Viennese life, converging on a shooting in a bank (1994)

71 Fragments of a Chronology of Chance

A repressed piano teacher at the Vienna Conservatory, her mother and a student; the film and both its leads won prizes at Cannes in 2001 (2001)

The Piano Teacher (La Pianiste) — Grand Prix, plus Best Actress for Isabelle Huppert and Best Actor for Benoît Magimel

Videotapes of his own front door begin arriving at a television presenter's house, wrapped in childish drawings of a face bleeding from the mouth (2005)

Caché (Hidden) — Best Director at Cannes; it turns on the 1961 Paris massacre of Algerians

A north German village on the eve of the First World War, shot in black and white; children are made to wear a white armband as a punishment (2009)

The White Ribbon (Das weiße Band) — Palme d'Or

A retired music teacher nurses his wife at home in their Paris flat after a series of strokes (2012)

Amour — Palme d'Or, the Oscar for Best Foreign Language Film, and a Best Actress nomination for Emmanuelle Riva at 85

A construction dynasty in Calais, a collapsing building site, and a grandfather who wants to die; his most recent feature (2017)

Happy End

Key ideas

  • Violence in cinema is usually consumed; his films aim to make it unwatchable rather than exciting
  • The 'glaciation of feelings' in prosperous Europe — emotional numbness as the real subject
  • Europe's buried colonial guilt, most directly in Caché

Quick-fire facts

  • •Born in Munich in 1942 to a German actor father and an Austrian actress mother, and raised at Wiener Neustadt
  • •He worked in German television for two decades before his first cinema feature at 47
  • •He won the Palme d'Or in 2009 and again in 2012, joining the handful of two-time winners
  • •Amour was nominated for five Oscars including Best Picture and Best Director, and won Best Foreign Language Film
  • •Isabelle Huppert has appeared in four of his films: The Piano Teacher, Time of the Wolf, Amour and Happy End
  • •He taught directing at the Filmakademie Wien
  • •He has made no feature since Happy End (2017); a planned television series, Kelvin's Book, collapsed over financing
  • •He turned 84 in March 2026 and is widely described as retired, though collaborators say they are still trying to coax another film out of him

Drill it — 8 cards

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Sources