A 1967 debut sleeve bearing a single yellow banana and the instruction to peel slowly and see (1967)
The Velvet Underground & Nico — the Warhol banana peeled off to reveal a pink fruit underneath, which made the sleeve ruinously expensive.
Popular music · Rock
1964–1973 · American (New York)
Art rock and proto-punk; the New York avant-garde
The Velvet Underground sold almost nothing in their lifetime and changed everything afterwards. Lou Reed's flat, reportorial songs about drugs, sadomasochism and city life met John Cale's classically trained drone, and Andy Warhol attached them to his Factory and to the German singer Nico. Their four studio albums became the founding text for punk, indie and art rock alike.
A 1967 debut sleeve bearing a single yellow banana and the instruction to peel slowly and see (1967)
The Velvet Underground & Nico — the Warhol banana peeled off to reveal a pink fruit underneath, which made the sleeve ruinously expensive.
A seven-minute 1967 song about waiting for a dealer, its narrator scoring on a Harlem street corner (1967)
'I'm Waiting for the Man'.
A 1967 song after Leopold von Sacher-Masoch, with whipcrack rhythm, ostrich-tuned guitar and droning viola (1967)
'Venus in Furs' — 'shiny, shiny, shiny boots of leather'.
A 1968 second album recorded so loud that engineers walked out, ending with a seventeen-minute improvisation (1968)
White Light/White Heat, closing with 'Sister Ray'; it was John Cale's last album with the group.
A 1969 third album of hushed, almost devotional songs, its sleeve a grey Factory sofa photograph (1969)
The Velvet Underground — 'Pale Blue Eyes', 'Candy Says', 'Jesus'; made after Cale's departure with Doug Yule.
A 1970 album made to order for a record company that wanted hits, its two best-known songs later staples of every bar band (1970)
Loaded — 'Sweet Jane' and 'Rock & Roll'; Reed left before it was released and disowned the edits.
A 1970 song about a five-year-old girl whose life is saved by a New York radio station (1970)
'Rock & Roll', from Loaded — the girl is Jenny, who puts on a New York station and is saved.
A 1967 song that a member of the group later said was about deciding to write about heroin the way a novelist would (1967)
'Heroin' — its tempo accelerates and collapses in imitation of a rush.