A 1965 album cut in a single 24-hour session in Memphis, including three songs by the recently murdered Sam Cooke (1965)
Otis Blue: Otis Redding Sings Soul — widely regarded as the finest southern soul album.
Popular music · Soul, funk & R&B
1941–1967 · American
Southern soul; Stax Records, Memphis
Otis Redding was the defining voice of Memphis southern soul, a rougher, hornier sound than Detroit's Motown, recorded at Stax with Booker T. and the M.G.'s behind him. He died in a plane crash at 26, three days after recording the reflective ballad that became the first posthumous number one in American chart history.
A 1965 album cut in a single 24-hour session in Memphis, including three songs by the recently murdered Sam Cooke (1965)
Otis Blue: Otis Redding Sings Soul — widely regarded as the finest southern soul album.
A 1965 ballad co-written with Jerry Butler, a slow plea against being abandoned after years of devotion (1965)
'I've Been Loving You Too Long (To Stop Now)'.
A 1965 song he wrote demanding fair treatment when he gets home, which a Detroit singer rewrote into a feminist anthem (1965)
'Respect' — Aretha Franklin's 1967 version, he said, took the song away from him.
A 1966 reworking of a Rolling Stones hit, taken faster and handed to a horn section (1966)
'(I Can't Get No) Satisfaction', from Otis Blue.
A 1966 reinvention of a 1932 standard that begins as a whisper and ends in a horn-driven frenzy (1966)
'Try a Little Tenderness' — his most famous live closer.
His June 1967 festival set in California, introduced to what he called 'the love crowd' (1967)
Monterey Pop — it won him the white rock audience months before his death.
A song written with Steve Cropper and recorded three days before his death, with whistling in place of an unfinished verse (1968)
'(Sittin' On) The Dock of the Bay' — the first posthumous number one on the Billboard Hot 100.