A 1981 single assembled live from three turntables and ten records — arguably the first record made entirely out of other records (1981)
"The Adventures of Grandmaster Flash on the Wheels of Steel".
Popular music · Hip hop
born 1958 · Barbadian-American
Old-school hip-hop — the Bronx, Sugar Hill Records
Grandmaster Flash is the disc jockey who turned the turntable into an instrument. Trained in electronics, he worked out how to isolate and repeat the drum break of a record by cueing two copies of it, a method he called the Quick Mix Theory, and added punch phrasing and the backspin. With the Furious Five he made "The Message", the record that showed hip-hop could report on the conditions it came from, and in 2007 they became the first hip-hop act inducted into the Rock and Roll Hall of Fame.
A 1981 single assembled live from three turntables and ten records — arguably the first record made entirely out of other records (1981)
"The Adventures of Grandmaster Flash on the Wheels of Steel".
A 1982 single reporting on broken glass and rats in the front room, credited to him and his crew (1982)
"The Message" — largely the work of Melle Mel and Duke Bootee; Flash did not play on it.
A 1983 anti-cocaine record credited to one member of the crew alone (1983)
"White Lines (Don't Don't Do It)", credited to Grandmaster Melle Mel.
A 1979 debut single for Enjoy Records, one of the earliest records by a Bronx crew (1979)
"Superrappin'".
The technique he named for locating and looping the drum break by cueing two copies of the same record (c. 1975)
The Quick Mix Theory, and the 'clock theory' of marking the label to find the break.
The technique of jabbing a horn stab or drum hit from a second record into a track already playing (c. 1976)
Punch phrasing.