A 1938 swing hit with Chick Webb's band, built on a nursery rhyme about a lost yellow basket (1938)
'A-Tisket, A-Tasket', which she co-wrote; it sold a million copies and made her famous at 21.
Popular music · Jazz & blues
1917–1996 · American
Jazz and the Great American Songbook
Ella Fitzgerald, the First Lady of Song, combined perfect intonation, a three-octave range and the finest scat singing in jazz. Under her manager Norman Granz she recorded the eight Song Book sets that fixed the Great American Songbook as a canon, and she won thirteen competitive Grammy Awards across a career of some sixty years.
A 1938 swing hit with Chick Webb's band, built on a nursery rhyme about a lost yellow basket (1938)
'A-Tisket, A-Tasket', which she co-wrote; it sold a million copies and made her famous at 21.
Eight Verve sets recorded 1956–64, each devoted to one composer of the American popular repertoire (1956–1964)
The Song Books — Cole Porter, Rodgers and Hart, Duke Ellington, Irving Berlin, Gershwin, Harold Arlen, Jerome Kern and Johnny Mercer.
A 1960 Berlin concert recording in which she forgets the words to a Brecht and Weill ballad and improvises a new lyric (1960)
'Mack the Knife' on Ella in Berlin: Mack the Knife — it won her two Grammys.
A 1947 scat tour de force on a 1940 standard that puts a question to the night sky (1947)
'How High the Moon' — her bebop calling card, quoting Charlie Parker's 'Ornithology'.
A 1956 album of standards pairing her with a gravel-voiced trumpeter, backed by the Oscar Peterson trio (1956)
Ella and Louis, with Louis Armstrong; two sequels followed, including a Porgy and Bess set.
A series of tape cassette advertisements in which her voice shatters a wine glass and the viewer is challenged to say whether they are hearing the singer or the tape (1972)
The Memorex campaign — 'Is it live, or is it Memorex?'