A king divides his kingdom between his daughters, and disowns the one who answers 'Nothing'
The love-test of the opening scene: Goneril, Regan and Cordelia
Shakespeare · Tragedies
c. 1605–06
Tragedy — from the old play King Leir, Holinshed and Geoffrey of Monmouth
An ageing king of pre-Christian Britain divides his kingdom between the two daughters who flatter him and disinherits the third, who will not. Stripped of his followers and driven out into a storm, he goes mad on the heath with a fool and a beggar for company, while in a parallel plot the Earl of Gloucester is betrayed by his bastard son and blinded on stage. Reconciliation comes too late: Cordelia is hanged and the king dies over her body. It is the bleakest of the tragedies, and for more than 150 years the English stage would only play it with a happy ending.
A king divides his kingdom between his daughters, and disowns the one who answers 'Nothing'
The love-test of the opening scene: Goneril, Regan and Cordelia
'Blow, winds, and crack your cheeks! rage! blow!'
The storm scene, the old king raging against the elements
'Out, vile jelly! Where is thy lustre now?'
Cornwall putting out Gloucester's eyes on stage, urged on by Regan
A blinded earl asks to be led to the cliffs of Dover, and is deceived into a harmless fall
Edgar, in disguise, stages his father's suicide to cure him of despair
'As flies to wanton boys are we to the gods; They kill us for their sport'
Gloucester, after his blinding
'How sharper than a serpent's tooth it is To have a thankless child!'
The curse on Goneril
'Now, gods, stand up for bastards!'
Edmund's creed, which sets the subplot going
A Fool who speaks the truth in riddles, then vanishes from the play halfway through
His last line is 'And I'll go to bed at noon'