"A wand'ring minstrel I β a thing of shreds and patches" (1885)
Nanki-Poo's entrance song; he is the Emperor's son in disguise as a second trombone
Recording: Walter Hyde/Odeon Records Β· Public domain, Wikimedia Commons
Opera Β· Opera in English
14 March 1885, Savoy Theatre, London
Arthur Sullivan Β· libretto by W. S. Gilbert
A wandering minstrel who is really the heir to the throne loves the ward of a cheap tailor promoted to Lord High Executioner, in a Japanese town where flirting is a capital crime. The ninth Gilbert and Sullivan collaboration ran 672 nights, one of the longest runs of any theatre piece up to that time, and remains by far the most performed of the Savoy operas. Its Japan is a costume, not a country: the targets are English officialdom, self-importance and the law.
"A wand'ring minstrel I β a thing of shreds and patches" (1885)
Nanki-Poo's entrance song; he is the Emperor's son in disguise as a second trombone
Recording: Walter Hyde/Odeon Records Β· Public domain, Wikimedia Commons
"As some day it may happen that a victim must be found" β the little list of society offenders who never would be missed (1885)
Ko-Ko's patter song; the list is traditionally rewritten for every new production
Recording: Odeon Records Β· Public domain, Wikimedia Commons
"Three little maids from school are we" β a trio of giggling seminary girls (1885)
Yum-Yum, Pitti-Sing and Peep-Bo, 'filled to the brim with girlish glee'
Recording: Unknown Β· CC BY-SA 3.0, Wikimedia Commons
"My object all sublime I shall achieve in time β to let the punishment fit the crime" (1885)
The Emperor's song of humane torments, including billiards on a cloth untrue with a twisted cue
Recording: Richard Temple Β· Public domain, Wikimedia Commons
"On a tree by a river a little tom-tit sang willow, titwillow, titwillow" (1885)
Ko-Ko's ballad of the suicidal bird, sung to win the terrifying Katisha
Recording: Columbia Gramophone Company, Ltd./Walter Passmore Β· Public domain, Wikimedia Commons
"Here's a how-de-do!" and "The flowers that bloom in the spring, tra la" (1885)
The Act 2 trio, and Nanki-Poo's duet-turned-quartet after he is pronounced dead on paper
The executioner cannot behead anyone because he is himself under sentence, so he certifies a death that never happened (1885)
The central Gilbertian absurdity: an affidavit signed by the Lord High Everything Else in all his capacities