A gift from the people of France, proposed by the abolitionist Édouard de Laboulaye
France paid for the statue, the American public for the pedestal
Geography · Landmarks & wonders
dedicated 28 October 1886
United States — Liberty Island, New York Harbor
A colossal neoclassical figure of Libertas in hammered copper, given to the United States by the people of France and dedicated in New York Harbor in 1886. Frédéric Auguste Bartholdi sculpted her; Gustave Eiffel engineered the iron skeleton that lets the thin copper skin flex in the wind. Emma Lazarus's sonnet, added to the pedestal in 1903, made her the emblem of American immigration.
A gift from the people of France, proposed by the abolitionist Édouard de Laboulaye
France paid for the statue, the American public for the pedestal
Sculpted by Frédéric Auguste Bartholdi, with an iron framework engineered by Gustave Eiffel
Eugène Viollet-le-Duc had the job first and proposed a sand-filled masonry pier; Eiffel's flexible skeleton replaced it after his death
Her tablet is inscribed JULY IV MDCCLXXVI
4 July 1776, the date of the Declaration of Independence
At her feet lies a broken chain and shackle, half hidden by her robe
Commemorating the abolition of slavery after the Civil War
Her seven crown rays stand for the seven seas and seven continents
The torch arm and head were exhibited separately in Philadelphia and Paris to raise funds
Emma Lazarus's sonnet, added in 1903, gave her the lines about huddled masses (1903)
'The New Colossus' was written in 1883 for a fundraising auction for the pedestal
Joseph Pulitzer's newspaper campaign raised the money for her pedestal from small donations (1885)
The World printed the name of every donor; most gave less than a dollar
She is not carved or cast, but hammered sheet copper about the thickness of two pennies
Repoussé work, 2.4 mm thick, over an iron armature — which is why she is green