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Portrait of Stanley Kubrick

Film · Hollywood

Stanley Kubrick

1928–1999 · American

American auteur cinema; formalist perfectionism

Stanley Kubrick made only thirteen features in forty-six years, changing genre every time and working with a control that became legendary. A teenage magazine photographer, he moved to England in the early 1960s and never left, running his productions from a Hertfordshire estate. His films are cold, symmetrical and exact, and almost all of them were controversial on release and canonical within a decade.

How to spot them

  • ▸One-point perspective: corridors and rooms receding to a dead-centre vanishing point
  • ▸The Kubrick stare — a face tilted down, eyes raised into the lens
  • ▸Slow zooms, wide-angle Steadicam glides, and classical music used against the image
  • ▸A different genre each time: war, science fiction, horror, costume drama, satire
  • ▸Notorious numbers of takes, and years of research before a foot of film was exposed

Key films

A French general has three of his own men shot for cowardice after an impossible attack (1957)

Paths of Glory — banned in France for years; Kirk Douglas then hired him for Spartacus.

A war room, a doomsday machine and a pilot riding a bomb down like a rodeo bull (1964)

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb — Peter Sellers plays three roles.

A bone thrown into the air becomes a spacecraft, and a computer refuses to open the pod bay doors (1968)

2001: A Space Odyssey — his only Academy Award was for its visual effects.

Droogs, milk-plus and a reconditioning treatment with the eyes clamped open (1971)

A Clockwork Orange — from Anthony Burgess; he withdrew it from British cinemas himself in 1973.

An 18th-century Irish adventurer rises and falls, in interiors lit only by candles through lenses built for NASA (1975)

Barry Lyndon — from Thackeray; four Oscars for its craft.

One sentence typed thousands of times in an empty mountain hotel, and twins in a corridor (1980)

The Shining — from Stephen King, who disliked it; an early showcase for the Steadicam.

A Parris Island drill instructor's obscene litany, then a sniper in the ruins of Hue (1987)

Full Metal Jacket — Vietnam recreated in a demolished London gasworks.

A doctor wanders one night through New York and a masked ritual in a country house (1999)

Eyes Wide Shut — with Tom Cruise and Nicole Kidman; he died days after showing the studio his final cut.

Quick-fire facts

  • •Born in the Bronx on 26 July 1928; he was a staff photographer for Look magazine while still a teenager
  • •He took over Spartacus (1960) after Kirk Douglas sacked Anthony Mann, but had no creative control and later disowned it
  • •His single Academy Award was for Best Visual Effects, for 2001; he was nominated four times for Best Director and never won
  • •He asked Warner Bros. to withdraw A Clockwork Orange from British distribution in 1973 after copycat claims and threats to his family; it was not shown again in Britain until 2000
  • •He lived and worked at Childwickbury Manor in Hertfordshire from 1978, and is buried there; he died on 7 March 1999
  • •The 2001 Star Gate sequence used slit-scan photography devised by Douglas Trumbull
  • •Shelley Duvall's scene with the baseball bat in The Shining is often cited as the most takes for a single scene in a feature film
  • •Lolita (1962) was shot in England for censorship reasons, with James Mason and Peter Sellers
  • •Steven Spielberg directed A.I. Artificial Intelligence (2001) from the project Kubrick had developed for decades
  • •A long-planned film about Napoleon was never made; its research archive is famous in its own right

Drill it — 10 cards

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Sources