A U-boat crew put ashore in Hudson Bay make their way across Canada towards the neutral United States (1941)
49th Parallel — Pressburger won the Oscar for Best Original Story
Film · British & Irish
Partnership 1939–1972; Michael Powell 1905–1990, Emeric Pressburger 1902–1988 · British (Pressburger Hungarian-born)
The Archers — British wartime and post-war romanticism, Technicolor fantasy
Michael Powell and Emeric Pressburger worked together for more than thirty years, making nineteen films under the banner of The Archers and sharing a single credit: "Written, Produced and Directed by". Against the documentary sobriety of British wartime cinema they made lush Technicolor fantasies about heaven, ballet and the Himalayas, several of which irritated the authorities and all of which are now canonical.
A U-boat crew put ashore in Hudson Bay make their way across Canada towards the neutral United States (1941)
49th Parallel — Pressburger won the Oscar for Best Original Story
Forty years in the life of a British officer, from a duel in Berlin to the Home Guard; Churchill tried to have it suppressed (1943)
The Life and Death of Colonel Blimp — Roger Livesey and Anton Walbrook
A land girl, a soldier and an American sergeant investigate a man who pours glue into women's hair in a village on the old pilgrims' road to Kent (1944)
A Canterbury Tale
A young woman travelling to be married on the Hebridean island of Kiloran is stranded by gales on Mull (1945)
I Know Where I'm Going!, with Wendy Hiller
An RAF pilot bails out without a parachute, survives, and must argue for his life before a celestial court; heaven is monochrome and Earth is Technicolor (1946)
A Matter of Life and Death, with David Niven — released in America as Stairway to Heaven
Anglican nuns try to found a school in a former harem palace high in the Himalayas; a bell on a precipice and a nun in red lipstick (1947)
Black Narcissus — Oscars for Jack Cardiff's cinematography and Alfred Junge's art direction; the mountains were built at Pinewood
A ballerina is torn between a composer and an impresario, and a pair of shoes will not let her stop dancing (1948)
The Red Shoes, with Moira Shearer — Oscars for art direction and for Brian Easdale's score
An operatic fantasy in three tales, staged and danced rather than sung to camera, admired by Scorsese and Romero alike (1951)
The Tales of Hoffmann, after Offenbach