Fantasia on a Theme by Thomas Tallis (1910)
For double string orchestra, premiered in Gloucester Cathedral at the Three Choirs Festival
Recording: Orchestra d'archi dell'esercito degli Stati Uniti · Public domain, Wikimedia Commons
Music
1872–1958 · English
English pastoral school / English musical renaissance
Ralph Vaughan Williams was the leading English composer of the first half of the 20th century. Drawing on English folk song and Tudor church music, he forged a distinctively English voice across nine symphonies, choral works, hymns and operas. He also collected folk songs and edited The English Hymnal.
Fantasia on a Theme by Thomas Tallis (1910)
For double string orchestra, premiered in Gloucester Cathedral at the Three Choirs Festival
Recording: Orchestra d'archi dell'esercito degli Stati Uniti · Public domain, Wikimedia Commons
The Lark Ascending (1914 (revised 1920))
Romance for violin inspired by George Meredith's poem; frequently voted Britain's favourite classical piece
Fantasia on Greensleeves (1934)
Arranged by Ralph Greaves from music in Vaughan Williams's Falstaff opera Sir John in Love
A Sea Symphony (Symphony No. 1) (1903–09)
Choral symphony setting Walt Whitman, premiered at the Leeds Festival in 1910
Sinfonia antartica (Symphony No. 7) (1949–52)
Developed from his score for the film Scott of the Antarctic, with wind machine and wordless voices
English Folk Song Suite (1923)
Three marches on folk songs, originally for military band
Recording: Sphinxdutroène · EEF OAL-1, Wikimedia Commons