Symphony No. 1 in D major (1887–1888)
Once called 'Titan'; slow movement turns 'Frère Jacques' into a minor-key funeral march
Recording: hr-Sinfonieorchester · CC BY-SA 4.0, Wikimedia Commons
Music
1860–1911 · Austrian (born in Bohemia)
Late Romantic
Mahler was the leading conductor of his generation and one of the great symphonists, stretching the form to vast scale — "a symphony must be like the world; it must embrace everything". His nine completed symphonies and song cycles bridge late Romanticism and modernism, and were championed after his death by Bernstein and others.
Symphony No. 1 in D major (1887–1888)
Once called 'Titan'; slow movement turns 'Frère Jacques' into a minor-key funeral march
Recording: hr-Sinfonieorchester · CC BY-SA 4.0, Wikimedia Commons
Symphony No. 2 in C minor "Resurrection" (1888–1894)
Ends with chorus and soloists setting Klopstock's resurrection hymn
Recording: Barbara Schubert, the DuPage Symphony Orchestra · CC0, Wikimedia Commons
Symphony No. 5 (1901–1902)
Opens with a trumpet funeral march; its Adagietto for strings and harp featured in Visconti's Death in Venice
Recording: Peabody Symphony Orchestra · CC0, Wikimedia Commons
Symphony No. 8 in E-flat major "Symphony of a Thousand" (1906)
Choral symphony setting 'Veni, Creator Spiritus' and the end of Goethe's Faust
Das Lied von der Erde (1908–1909)
'The Song of the Earth' — symphonic song cycle on Chinese poems
Kindertotenlieder (1901–1904)
'Songs on the Death of Children', setting poems by Friedrich Rückert