Ode to Aphrodite (c. 600 BC)
Fragment 1, the only poem to survive complete: the goddess drives her sparrow-drawn chariot down to ask who has wronged the poet
Literature · Poets
c. 630 – c. 570 BC · Greek (Lesbos)
Archaic Greek lyric poetry
Sappho of Lesbos was the most admired lyric poet of archaic Greece, writing personal, erotic songs in the Aeolic dialect to be sung to the lyre. Alexandrian scholars gathered her work into nine books, but almost all of it is lost: one poem survives complete and the rest are fragments, some recovered from Egyptian papyrus as recently as 2014. Her name and her island have given English the words "sapphic" and "lesbian".
Ode to Aphrodite (c. 600 BC)
Fragment 1, the only poem to survive complete: the goddess drives her sparrow-drawn chariot down to ask who has wronged the poet
Fragment 31, beginning "He seems to me equal to the gods" (c. 600 BC)
The catalogue of symptoms of desire — tongue broken, fire under the skin, greener than grass — imitated by Catullus in poem 51
Fragment 16, the Anactoria poem (c. 600 BC)
Some say a host of horsemen is the finest sight on earth; the poet says it is whatever you love. Helen is the example
The Brothers Poem (c. 600 BC)
Recovered from papyrus and published in 2014; it names the brothers Charaxos and Larichos
The Tithonus Poem, or Old Age Poem (c. 600 BC)
Fragment 58, completed from a Cologne papyrus in 2004: knees no longer carry her, and Eos carried Tithonus away to no avail
Fragment 105a, the sweet apple reddening on the topmost bough (c. 600 BC)
A wedding-song image of the apple the pickers could not reach — or did not forget, but could not reach
The epithalamia, with the cry of Hymenaon and the order to raise high the roof-beam (c. 600 BC)
Wedding songs, Book 9 of the Alexandrian edition; the roof-beam line later supplied a J. D. Salinger title