Evenings on a Farm Near Dikanka (1831)
Ukrainian folk stories told by the beekeeper Rudy Panko, including the Christmas Eve tale of the blacksmith Vakula riding a devil to St Petersburg
Literature · Novelists
1809–1852 · Russian (born in Ukraine)
Russian Romanticism and the grotesque
Nikolai Gogol was the great comic and grotesque writer of Russian literature, moving from Ukrainian folk tales to savage satires of the imperial bureaucracy. His play The Government Inspector and his novel Dead Souls turned provincial corruption into farce, while the Petersburg tales invented a strain of absurdity that runs through Dostoevsky and Kafka. Falling under the influence of a fanatical priest at the end of his life, he burned the sequel to Dead Souls and starved himself to death at forty-two.
Evenings on a Farm Near Dikanka (1831)
Ukrainian folk stories told by the beekeeper Rudy Panko, including the Christmas Eve tale of the blacksmith Vakula riding a devil to St Petersburg
Taras Bulba (1835)
Cossack tale from the Mirgorod collection, in which the old warrior kills his own son for loving a Polish girl
Viy (1835)
Horror story of a seminarian reading three nights over a witch's coffin, ending with a demon whose eyelids must be lifted
The Government Inspector (1836)
Revizor — a penniless clerk is mistaken for an inspector by the officials of a provincial town; Nicholas I attended the premiere
The Nose (1836)
Collegiate Assessor Kovalyov wakes without his nose, which is seen about St Petersburg in the uniform of a State Councillor
The Overcoat (1842)
Akaky Akakievich saves for a new coat, is robbed of it and returns as a ghost stripping coats on the Kalinkin Bridge
Dead Souls (1842)
Chichikov tours the provinces buying up serfs who have died since the last census, so as to mortgage them
Diary of a Madman (1835)
A clerk's journal disintegrates into dated entries from the reign of Ferdinand VIII of Spain