A Doll's House (1879)
Nora leaves her patronising husband Torvald and her children, ending with a famous door slam
Literature · Playwrights
1828–1906 · Norwegian
Realism; modern drama
Henrik Ibsen, often called the father of modern drama, moved from verse plays such as Brand and Peer Gynt to prose dramas of middle-class life that exposed social hypocrisy. A Doll's House, Ghosts and Hedda Gabler caused scandal across Europe and shaped playwrights from Shaw to Arthur Miller. He wrote much of his major work during 27 years of self-imposed exile in Italy and Germany.
A Doll's House (1879)
Nora leaves her patronising husband Torvald and her children, ending with a famous door slam
Hedda Gabler (1890)
A general's daughter, bored in her marriage to the academic Tesman, destroys Eilert Løvborg and herself
Peer Gynt (1867)
Verse drama of a boastful Norwegian wanderer, with trolls, the Button-Moulder and the faithful Solveig
Ghosts (1881)
Mrs Alving's son Oswald has inherited the syphilis of his dissolute late father
An Enemy of the People (1882)
Dr Stockmann exposes contaminated spa baths and is turned on by his town
The Wild Duck (1884)
Gregers Werle's truth-telling destroys the Ekdal family's 'life-lie', and young Hedvig dies
The Master Builder (1892)
The ageing architect Halvard Solness, urged on by young Hilde Wangel, falls from his tower
Brand (1866)
Verse tragedy of an uncompromising priest, 'All or nothing'; his first great success