Assumption of the Virgin (Assunta) (1515–1518)
Santa Maria Gloriosa dei Frari, Venice
The largest altarpiece in Venice, still on the high altar it was made for
Image: Titian · Public domain, Wikimedia Commons
Art
c. 1488/1490–1576 · Venetian (Italian)
High Renaissance (Venetian School)
Tiziano Vecellio, known as Titian, was the greatest painter of the Venetian School. A master of colour and loose, expressive brushwork, he excelled at altarpieces, mythologies and portraits, working for Venice, the princes of Italy, Emperor Charles V and Philip II of Spain.
Assumption of the Virgin (Assunta) (1515–1518)
Santa Maria Gloriosa dei Frari, Venice
The largest altarpiece in Venice, still on the high altar it was made for
Image: Titian · Public domain, Wikimedia Commons
Sacred and Profane Love (c. 1514)
Galleria Borghese, Rome
Two women, one clothed and one nude, sit on a sarcophagus-fountain; its title dates only from 1693
Image: Titian · Public domain, Wikimedia Commons
Bacchus and Ariadne (1520–1523)
National Gallery, London
Bacchus leaps from his cheetah-drawn chariot; painted for Alfonso d'Este's Camerino in Ferrara
Image: Titian · Public domain, Wikimedia Commons
Venus of Urbino (c. 1534–1538)
Uffizi Gallery, Florence
Reclining nude with a small dog; inspired Manet's Olympia
Image: Titian · Public domain, Wikimedia Commons
Equestrian Portrait of Charles V (1548)
Museo del Prado, Madrid
The emperor in armour after his victory at Mühlberg (1547)
Image: Titian · Public domain, Wikimedia Commons
Diana and Actaeon (1556–1559)
National Gallery, London, and National Galleries of Scotland, Edinburgh (jointly owned)
One of the poesie for Philip II; bought jointly by the two galleries in 2009
Image: Titian · Public domain, Wikimedia Commons