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Portrait of Mark Rothko

Art · 20th century

Mark Rothko

1903–1970 · Latvian-born American

Abstract Expressionism — Colour Field painting

Mark Rothko was the great tragedian of American abstraction. From 1949 until his death he painted almost nothing but stacked, soft-edged rectangles of colour hovering on a luminous ground, canvases he wanted hung low and seen close so that the viewer stood inside them. He insisted the subject was not colour but basic human emotion — tragedy, ecstasy and doom.

How to spot them

  • ▸Two or three blurred, soft-edged rectangles floating one above another on a stained field, with no drawing, figures or hard edges anywhere
  • ▸Thin washes of paint soaked into the canvas so the colours seem to glow from behind rather than sit on the surface
  • ▸Titles that are only numbers and colours, because he refused to name a subject
  • ▸Late work that drains to maroon, plum and black; he hated being called a colourist or a decorator

Key works

Nine dark maroon and black panels painted for a Manhattan restaurant, whose fee the artist returned before giving them to a London gallery (1958)

Tate Modern, London

The Seagram murals — commissioned for the Four Seasons in the Seagram Building, withdrawn in 1960 and given to the Tate

No free image available (likely still in copyright) · see it on Wikipedia

A black rectangle over a maroon ground, defaced with graffiti ink by a vandal in 2012 and restored after eighteen months (1958)

Tate Modern, London

One of the Seagram panels; the vandal was jailed for two years

No free image available (likely still in copyright) · see it on Wikipedia

An octagonal building in Houston hung with fourteen near-black canvases, built for the de Menil family as a place of meditation by Mark Rothko

An octagonal building in Houston hung with fourteen near-black canvases, built for the de Menil family as a place of meditation (1971)

Houston, Texas

The Rothko Chapel, opened a year after the artist's death; Barnett Newman's Broken Obelisk stands outside

Image: David Van Horn from Boston, MA, USA · CC BY 2.0, Wikimedia Commons

Bands of orange, red and yellow stacked on a glowing ground; it fetched $86.9 million in 2012 (1961)

Private collection

At the time the highest price paid at auction for a post-war work of art

No free image available (likely still in copyright) · see it on Wikipedia

A pale band floating between pink and lavender on rose, once owned by David Rockefeller and sold in 2007 for $72.8 million (1950)

Private collection

White Center — one of the classic canvases of his breakthrough years

No free image available (likely still in copyright) · see it on Wikipedia

Rust and blue bands hovering above one another, a signature canvas of the Los Angeles collection (1953)

Museum of Contemporary Art, Los Angeles

Also known as Brown, Blue, Brown on Blue

No free image available (likely still in copyright) · see it on Wikipedia

Quick-fire facts

  • •Born Markus Rothkowitz in Dvinsk (now Daugavpils, Latvia) in 1903; the family emigrated to Portland, Oregon, in 1913
  • •Won a scholarship to Yale but left without a degree; Yale gave him an honorary doctorate in 1969
  • •Arrived at his signature stacked rectangles around 1949, after the 'multiforms' of the late 1940s
  • •Took the Seagram commission in 1958 to decorate the Four Seasons restaurant, then repaid the fee and kept the paintings
  • •Nine Seagram murals reached the Tate in London on 25 February 1970, the day he was found dead in his New York studio
  • •Took his own life at 66; his estate became the subject of a notorious lawsuit against his executors and the Marlborough Gallery
  • •Painted murals for Harvard University in 1962 that faded so badly they were removed and later shown under compensating light projection
  • •Denied he was an abstractionist, saying he was interested only in expressing basic human emotions — tragedy, ecstasy and doom
  • •Taught for years at the Brooklyn Jewish Center Academy and co-founded the short-lived art school The Subjects of the Artist with Baziotes, Motherwell and Newman

Drill it — 7 cards

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Sources