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Portrait of Walter Gropius

Architecture ¡ Modernist

Walter Gropius

1883–1969 · German-American

Bauhaus; the International Style

Founder and first director of the Bauhaus, the German school that fused fine art, craft and industrial design and became the most influential art school of the twentieth century. Gropius's own buildings — the Fagus factory, the Bauhaus at Dessau — established the glass curtain wall and the asymmetrical pinwheel plan as modern orthodoxy. Driven out by the Nazis, he taught at Harvard and turned American architectural education towards modernism.

How to spot them

  • ▸Glass curtain walls wrapping the corner with no visible support; flat roofs; ribbon windows
  • ▸Asymmetrical wings pinwheeling from a centre; the name of the school spelled vertically down a glazed stair tower
  • ▸Quiz clue: 'Weimar 1919', 'Dessau', 'Bauhaus manifesto', 'The Architects Collaborative'
  • ▸A believer in teamwork — he named his American firm after it

Key buildings

A shoe-last factory at Alfeld of 1913, its corners turned in glass with the brick piers set back — often called the first modern building (1911–1913)

Alfeld, Lower Saxony, Germany

The Fagus Factory, with Adolf Meyer; a UNESCO World Heritage Site since 2011

A 1926 school building whose vertically lettered glazed wall and bridge over a road became the emblem of a whole movement (1926)

Dessau, Saxony-Anhalt, Germany

The Bauhaus building at Dessau, designed by its own director for the school he founded

A small white clapboard-and-glass-block house of 1938 in Massachusetts, built by a refugee to show New England what modernism looked like (1938)

Lincoln, Massachusetts

The Gropius House, now run by Historic New England

A 59-storey slab of 1963 set across the axis of Park Avenue behind Grand Central Terminal, once the largest office building in the world by floor area (1963)

200 Park Avenue, New York City

The Pan Am Building, with Pietro Belluschi and Emery Roth & Sons; renamed the MetLife Building in 1981

A group of low dormitories and a commons of 1950 that brought European modernism onto an Ivy League campus (1950)

Cambridge, Massachusetts

The Harvard Graduate Center, the first commission of The Architects Collaborative

Key ideas

  • The 1919 Bauhaus manifesto, with Lyonel Feininger's woodcut of a cathedral: 'the complete building is the final aim of the visual arts', and 'there is no essential difference between the artist and the craftsman'
  • Art and technology, a new unity — the slogan of the 1923 Bauhaus exhibition, marking the school's turn from expressionist craft to industrial design
  • Standardisation and prefabrication as the way to decent mass housing
  • Teamwork over the cult of the individual designer, hence The Architects Collaborative

Quick-fire facts

  • •Born in Berlin on 18 May 1883; died in Boston on 5 July 1969
  • •He founded the Bauhaus at Weimar in 1919 by merging the Grand-Ducal Saxon Academy of Fine Art with the School of Arts and Crafts
  • •He directed the Bauhaus until 1928; Hannes Meyer succeeded him, then Mies van der Rohe, who closed it under Nazi pressure in 1933
  • •The school moved from Weimar to Dessau in 1925 and to Berlin in 1932
  • •Masters at the Bauhaus included Paul Klee, Wassily Kandinsky, Josef Albers, LĂĄszlĂł Moholy-Nagy and Johannes Itten
  • •He was married to Alma Mahler from 1915 to 1920; their daughter Manon is the 'angel' of Alban Berg's Violin Concerto
  • •He left Germany for England in 1934, working with Maxwell Fry on Impington Village College, then moved to Harvard in 1937
  • •He founded The Architects Collaborative (TAC) in 1945 and received the RIBA Royal Gold Medal in 1956

Drill it — 7 cards

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Sources

  • Magdalena Droste — Bauhaus 1919–1933: Reform and Avant-Garde
  • Kenneth Frampton — Modern Architecture: A Critical History