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Portrait of John Soane

Architecture · Classical & Renaissance

John Soane

1753–1837 · English

Neoclassicism; the Picturesque

Sir John Soane, a bricklayer's son who became Architect and Surveyor to the Bank of England for forty-five years, stripped classical architecture down to lines, shallow domes and top light. His interiors are lit from above through concealed lanterns and coloured glass, their surfaces incised with grooves rather than mouldings. He left his own house in Lincoln's Inn Fields, crammed with antiquities, paintings and the sarcophagus of Seti I, to the nation as a museum on condition that nothing be moved.

How to spot them

  • ▸Shallow saucer domes and pendentives; incised lines instead of classical mouldings; the 'Soane order' without a capital
  • ▸Daylight from hidden lanterns, mirrors and amber and yellow glass
  • ▸Space fitted into space — mirrored recesses, hanging planes, a room within a room
  • ▸The house-museum in Lincoln's Inn Fields, preserved by Act of Parliament exactly as he left it

Key buildings

Three linked houses in a London square, left to the nation on condition that nothing inside be moved, and holding an alabaster sarcophagus in the basement (1792–1824)

13 Lincoln's Inn Fields, London

His own house, kept under the Act of 1833; it holds Seti I's sarcophagus and Hogarth's A Rake's Progress.

A great windowless screen wall round a City institution, whose top-lit domed halls behind it were demolished in the 1920s (1788–1833)

Threadneedle Street, London

His work as Surveyor to the Bank; the destruction of his interiors has been called the greatest architectural crime in the City of London.

England's first purpose-built public picture gallery, lit from above, with the founders' mausoleum in the middle of it (1811–1817)

Dulwich, London

Dulwich Picture Gallery, built to house the Bourgeois bequest, with a lantern-lit mausoleum for Desenfans and Bourgeois.

A west London villa the architect rebuilt as his own country house and as an advertisement, complete with sham Roman ruins in the garden (1800–1804)

Ealing, London

Pitzhanger Manor, bought and rebuilt so his sons might inherit an architectural dynasty; they did not.

A Buckinghamshire house and its gate whose plain incised stonework strips classical ornament almost to nothing (1792–1800)

Buckinghamshire, England

Tyringham Hall for William Praed; the gateway is the purest statement of his stripped manner.

A London church of 1823–25 in Walworth, its shallow vaults and top light carrying his manner into a parish church (1823–1825)

Southwark, London

St Peter's, Walworth — one of his three 'Commissioners' churches built under the Church Building Act of 1818.

Key ideas

  • The 'poetry of architecture': light, shadow and association matter more than correct ornament
  • Lumière mystérieuse — light admitted from a source the visitor cannot see
  • Ornament can be reduced to an incised line; the Greek orders can be implied rather than stated

Quick-fire facts

  • •Born John Soan, the son of a bricklayer; he added the 'e' in 1784
  • •He won the Royal Academy's Gold Medal in 1776 and a travelling scholarship to Italy, where he met the Bishop of Derry, a ruinous patron
  • •Appointed Surveyor (architect) to the Bank of England in 1788, a post he held until 1833
  • •Professor of Architecture at the Royal Academy from 1806; his lectures were suspended for a year after he attacked a fellow Academician's building
  • •He obtained a private Act of Parliament in 1833 settling his house and collection on the nation, forbidding any alteration
  • •His collection includes the alabaster sarcophagus of Seti I, bought for £2,000 after the British Museum declined it, and celebrated with a three-day party
  • •Giles Gilbert Scott's K2 telephone box of 1924 took its domed top from Soane's family tomb in St Pancras Gardens
  • •He was knighted in 1831 and is buried in the tomb he designed for his wife; his surviving son George wrote anonymous attacks on his work

Drill it — 7 cards

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Sources